My Glitch Tools Library. Make your own glitch art with these free glitch art tools library. There is a single list for: free glitch apps, tools you can use for glitchy art, audio noise / sound glitches and free glitch resources. Use your Image / Photo / Video / Text / Sound to make wonderful glitch art. Only free to use glitch art tools / apps / programs / generator / software / Free downloads for Windows, Mac and Linux.
Free Apps for Glitch Art
You can use these free apps to make glitch errors, malfunctions; even if they have not been made for it. Maybe you should watch some tutorials.
The founder and director of Barcelona’s OFFF festival, Hector Ayuso, first dreamt up the idea of a conference dedicated to exploring the world of online and offline design on a lazy Sunday afternoon in 2000. He was playing around with Flash on his computer, completely fascinated by the program’s possibilities when he realized he wanted to create a space where people could share their work and talk about how new platforms and programs like Flash were shaping and changing the industry.
That was over 15 years ago. Since then, OFFF has put numerous high-profile speakers onstage, including Paula Scher, Rick Poynor, Erik Spiekermann, and Rob Chiu. After hearing from such an eclectic range of minds over the years, Ayuso finds it easy to chart the industries’ changes and soak up words of wisdom.
Save precious water. Floss your teeth. Buckle up for safety. Those are just some of the truisms familiar to generations of Singaporeans. Since gaining independence five decades ago, the Southeast Asian city-state has seen countless government campaigns aimed to mold citizens who could live up to the nation’s leap from Third World to First. Design has played a central role in these efforts, as evident in the 6,000+ posters preserved in the National Archives of Singapore.
Since its establishment in 1968, this state institution has archived posters as part of its collection of material culture—including government records, maps, photographs, oral history interviews, audiovisual, and sound recordings—that are significant to Singapore’s history. Most of its posters come from government campaigns, with a small number created for cultural events, movies, and corporations.
Scrolling through the posters online via the National Archives website—the only way the public can access them—offers an illustrated history of Singapore’s development and the issues it’s faced. Campaigns came and went, but many were carried out annually for decades. Over the years, the poster collection has become a colorful historical resource referenced by television shows, books, and exhibitions to retell the development of national policies and the public service in Singapore. That the city has become a poster child for business and cleanliness, amongst other accolades today, is due, in no small part, to these posters.
Four hundred years after it was first published, Miguel de Cervantes’ Don Quixote is still commonly hailed as one of the finest novels ever written. Now the adventures of the feeble-brained hidalgo who think he’s a knight and his squat, trusty companion Sancho Panza have finally been collected into the mega-volume of graphic design porn they deserve.
Published by the always brilliant minds at Visual Editions, who previously gave the surreal hypertext of Tristram Shandythis jaw-dropping makeover, this latest version of Don Quixote uses design to explore the meta-fictional nature of the text.
Much of Don Quixote‘s effect lies in the juxtaposition of the way the chivalry-mad title character sees the world, and the way it actually is. The most famous example is Quixote fighting windmills he imagines to be giants. In the Visual Editions version, Quixote’s unique viewpoint of the world is separated from the rest of the text with sky blue fonts, footing the errant knight’s every word firmly in the clouds.
Within 24 hours of launching the Little Black Font Book 2, HypeForType’s slick type specimen book has taken number one slot in Amazon’s Typography in Graphic Arts section.
This volume is a “revised and improved” version of 2012’s book. Packed with vibrant layouts that bring each showcased font to life, the pocket-sized source of inspiration can be shown to clients – to help convince them of your design – or referenced yourself when creative block strikes.
How do you capture the essence of a classic? Every day, the designers at the Criterion Collection are tasked with reimagining some of the most iconic creations in the history of cinema. Together with their team, Head Art Director Sarah Habibi and Designer/Art Director Eric Skillman analyze each film’s historical context, director’s career and influence on the popular imagination in order to conceptualize cover designs (their new book, “Criterion Designs,” details the process.) In repackaging dated or overlooked gems, the Criterion Collection lifts films out of the folds of history and gives them new life. But above all, Criterion’s work celebrates the visual language of cinema — and its indelible impact on human culture.
New type foundry TPTQ Arabic is dedicated to developing expressive, but authentic, Arabic typefaces.
Typeface design has a western-normativity problem: for years, most Arabic typefaces have been designed by Latin-language typographers. But Arabic is built differently than Latin—its letters can have different contextual shapes, they always connect, and they eschew upper and lowercase letters—which means applying western ideas about type design is asking the script to conform to an unnatural set of standards.
“In the last 60 years Arabic has gone through many changes, and not really positive ones,”says Peter Bil’ak, founder of Dutch type foundry Typotheque. “It’s been subjected to western printing techniques, which cannot accommodate the number of glyphs [in Arabic].” The resulting product is “Simplified Arabic,” a legible but anemic version of the calligraphic script that Bil’ak calls “obviously not great.”
Fernando Pessoa, born Fernando António Nogueira Pessôa; June 13, 1888 – November 30, 1935), was a Portuguese poet, writer, literary critic, translator, publisher and philosopher, described as one of the most significant literary figures of the 20th century and one of the greatest poets in the Portuguese language. He also wrote in and translated from English and French.
Pessoa was a prolific writer, and not only under his own name, for he dreamed up approximately seventy-five others. He did not call them pseudonyms because he felt that did not capture their true independent intellectual life and instead called them heteronyms. These imaginary figures sometimes held unpopular or extreme views.
The circus, as it we think of it today, originated in Britain in 1768 by inventor Philip Astley. Astley presented shows that included horse riding tricks, acrobats, music and clowns. None of these elements were new to the British public, but Astley was the first to combine them into a single show.
Astley did not call his “Amphitheatre of Equestrian Arts” a circus. That title was awarded to a later rival’s show in 1782, and became the generic term.
In 1793 Englishman John Bill Ricketts brought the circus to the U.S., opening in Philadelphia.
The traveling circus tent was invented by American Joshua Purdy Brown, replacing the usual wooden construction with a full canvas tent. His system became commonplace by the mid 1830s.
The unique character of the American circus emerged: a traveling tent-show coupled with a menagerie and run by businessmen. It was very different model from European circuses, which for the most part remained under the control of performing families.