This post is a personal collection of my most recent glitched self-portraits that I have uploaded at my profile in ELLO. I have been using only my cell-phone and several apps for Android to achieve these results. Tools used for this project: Processing, Pixel sorting, Data bending, Data moshing, Scanner, Chromatic, 3D, VHS, Warp, Ghost, Burn, Quake, Window, XDR, Drone, Pixel, Triangle, Delaunay, Wave, Hacker, WEBP, Rubik, Artisanal.
This is my online store at Society 6 for my collages, they are digital and hand made pieces. Check it out, and grab one of them! I'll keep updating the content.
Source: 3 Ways to Stay Ahead of the Design Curve From the Founder of Barcelona’s Creative Conference OFFF Eye on Design | Eye on Design
The founder and director of Barcelona’s OFFF festival, Hector Ayuso, first dreamt up the idea of a conference dedicated to exploring the world of online and offline design on a lazy Sunday afternoon in 2000. He was playing around with Flash on his computer, completely fascinated by the program’s possibilities when he realized he wanted to create a space where people could share their work and talk about how new platforms and programs like Flash were shaping and changing the industry.
That was over 15 years ago. Since then, OFFF has put numerous high-profile speakers onstage, including Paula Scher, Rick Poynor, Erik Spiekermann, and Rob Chiu. After hearing from such an eclectic range of minds over the years, Ayuso finds it easy to chart the industries’ changes and soak up words of wisdom.
Four hundred years after it was first published, Miguel de Cervantes’ Don Quixote is still commonly hailed as one of the finest novels ever written. Now the adventures of the feeble-brained hidalgo who think he’s a knight and his squat, trusty companion Sancho Panza have finally been collected into the mega-volume of graphic design porn they deserve.
Published by the always brilliant minds at Visual Editions, who previously gave the surreal hypertext of Tristram Shandy this jaw-dropping makeover, this latest version of Don Quixote uses design to explore the meta-fictional nature of the text.
Much of Don Quixote‘s effect lies in the juxtaposition of the way the chivalry-mad title character sees the world, and the way it actually is. The most famous example is Quixote fighting windmills he imagines to be giants. In the Visual Editions version, Quixote’s unique viewpoint of the world is separated from the rest of the text with sky blue fonts, footing the errant knight’s every word firmly in the clouds.