Four hundred years after it was first published, Miguel de Cervantes’ Don Quixote is still commonly hailed as one of the finest novels ever written. Now the adventures of the feeble-brained hidalgo who think he’s a knight and his squat, trusty companion Sancho Panza have finally been collected into the mega-volume of graphic design porn they deserve.
Published by the always brilliant minds at Visual Editions, who previously gave the surreal hypertext of Tristram Shandy this jaw-dropping makeover, this latest version of Don Quixote uses design to explore the meta-fictional nature of the text.
Much of Don Quixote‘s effect lies in the juxtaposition of the way the chivalry-mad title character sees the world, and the way it actually is. The most famous example is Quixote fighting windmills he imagines to be giants. In the Visual Editions version, Quixote’s unique viewpoint of the world is separated from the rest of the text with sky blue fonts, footing the errant knight’s every word firmly in the clouds.
New type foundry TPTQ Arabic is dedicated to developing expressive, but authentic, Arabic typefaces.
Typeface design has a western-normativity problem: for years, most Arabic typefaces have been designed by Latin-language typographers. But Arabic is built differently than Latin—its letters can have different contextual shapes, they always connect, and they eschew upper and lowercase letters—which means applying western ideas about type design is asking the script to conform to an unnatural set of standards.
“In the last 60 years Arabic has gone through many changes, and not really positive ones,”says Peter Bil’ak, founder of Dutch type foundry Typotheque. “It’s been subjected to western printing techniques, which cannot accommodate the number of glyphs [in Arabic].” The resulting product is “Simplified Arabic,” a legible but anemic version of the calligraphic script that Bil’ak calls “obviously not great.”
Fernando Pessoa, born Fernando António Nogueira Pessôa; June 13, 1888 – November 30, 1935), was a Portuguese poet, writer, literary critic, translator, publisher and philosopher, described as one of the most significant literary figures of the 20th century and one of the greatest poets in the Portuguese language. He also wrote in and translated from English and French.
Pessoa was a prolific writer, and not only under his own name, for he dreamed up approximately seventy-five others. He did not call them pseudonyms because he felt that did not capture their true independent intellectual life and instead called them heteronyms. These imaginary figures sometimes held unpopular or extreme views.
From the books and movies that inspired Guillermo del Toro, to his must travel guide (with all the spooky intel), here is what GDT is feeling.
Right now, Guillermo del Toro is everywhere. The group art show dedicated to his work may have recently ended, but with the October 16 premiere of his latest movie Crimson Peak, del Toro has kept busy with a press tour. Today, Bergdorf Goodman also unveiled the Fifth Avenue window they dedicated to the new gothic romance.
All this extra attention on del Toro couldn’t be better timed. We’ve decided to declare October the month of del Toro, Oct-Toro-ber if you will. After all, it’s pretty perfect that his birthday falls in the same month as Halloween, considering he’s the creator of some of the spookiest creatures in cinema.
In honor of his 51st, we are looking at the books, movies, and other influences that have impacted his life and art, according to his Twitter. Below are 13 things that have shaped del Toro.
Crimson Peak opens in theaters on October 16, 2015.
Tributes to the pioneering director of “Jeanne Dielman” and “No Home Movie”
Chantal Akerman, whose movies revolutionized both feminist and structuralist cinema, has died at the age of 65. Her death leaves a gap as incalculable as her impact on the history of cinema; that she died, according to Le Monde, by her own hand is almost unfathomable. News of her death reaches the U.S. just a day before “No Home Movie’s” first screenings at the New York Film Festival…
Alejandro Jodorowsky isn’t just a world-class art-house filmmaker, he’s also a world-class spiritual guru. In his book The Spiritual Journey of Alejandro Jodorosky, the Chilean director details his experiences while on a spiritual journey that lead him to “discard his emotional armor,” namely one encounter with Reyna d’Assia, daughter of famed spiritual healer George Ivanovich Gurdjieff, in which she imparted her father’s many axioms about life.
This list, though clearly not directed at filmmakers specifically, certainly will reverberate with the artist in us all, as it did with Jodorowsky. Looking at each one through the eyes of a creator, you’ll start to learn a lot about yourself not only as a human, but as an artist.
- Ground your attention on yourself. Be conscious at every moment of what you are thinking, sensing, feeling, desiring, and doing.
- Always finish what you have begun.
- Whatever you are doing, do it as well as possible.
- Do not become attached to anything that can destroy you in the course of time.
- Develop your generosity ‒ but secretly.
- Treat everyone as if he or she was a close relative.
- Organize what you have disorganized.
- Learn to receive and give thanks for every gift.
- Stop defining yourself.
- Do not lie or steal, for you lie to yourself and steal from yourself.
- Help your neighbor, but do not make him dependent.
- Do not encourage others to imitate you.
- Make work plans and accomplish them.
- Do not take up too much space.
- Make no useless movements or sounds.
- If you lack faith, pretend to have it.
- Do not allow yourself to be impressed by strong personalities.
- Do not regard anyone or anything as your possession.
- Share fairly.
- Do not seduce.
- Sleep and eat only as much as necessary.
- Do not speak of your personal problems.
- Do not express judgment or criticism when you are ignorant of most of the factors involved.
- Do not establish useless friendships.
- Do not follow fashions.
- Do not sell yourself.
- Respect contracts you have signed.
- Be on time.
- Never envy the luck or success of anyone.
- Say no more than necessary.
- Do not think of the profits your work will engender.
- Never threaten anyone.
- Keep your promises.
- In any discussion, put yourself in the other person’s place.
- Admit that someone else may be superior to you.
- Do not eliminate, but transmute.
- Conquer your fears, for each of them represents a camouflaged desire.
- Help others to help themselves.
- Conquer your aversions and come closer to those who inspire rejection in you.
- Do not react to what others say about you, whether praise or blame.
- Transform your pride into dignity.
- Transform your anger into creativity.
- Transform your greed into respect for beauty.
- Transform your envy into admiration for the values of the other.
- Transform your hate into charity.
- Neither praise nor insult yourself.
- Regard what does not belong to you as if it did belong to you.
- Do not complain.
- Develop your imagination.
- Never give orders to gain the satisfaction of being obeyed.
- Pay for services performed for you.
- Do not proselytize your work or ideas.
- Do not try to make others feel for you emotions such as pity, admiration, sympathy, or complicity.
- Do not try to distinguish yourself by your appearance.
- Never contradict; instead, be silent.
- Do not contract debts; acquire and pay immediately.
- If you offend someone, ask his or her pardon; if you have offended a person publicly, apologize publicly.
- When you realize you have said something that is mistaken, do not persist in error through pride; instead, immediately retract it.
- Never defend your old ideas simply because you are the one who expressed them.
- Do not keep useless objects.
- Do not adorn yourself with exotic ideas.
- Do not have your photograph taken with famous people.
- Justify yourself to no one, and keep your own counsel.
- Never define yourself by what you possess.
- Never speak of yourself without considering that you might change.
- Accept that nothing belongs to you.
- When someone asks your opinion about something or someone, speak only of his or her qualities.
- When you become ill, regard your illness as your teacher, not as something to be hated.
- Look directly, and do not hide yourself.
- Do not forget your dead, but accord them a limited place and do not allow them to invade your life.
- Wherever you live, always find a space that you devote to the sacred.
- When you perform a service, make your effort inconspicuous.
- If you decide to work to help others, do it with pleasure.
- If you are hesitating between doing and not doing, take the risk of doing.
- Do not try to be everything to your spouse; accept that there are things that you cannot give him or her but which others can.
- When someone is speaking to an interested audience, do not contradict that person and steal his or her audience.
- Live on money you have earned.
- Never brag about amorous adventures.
- Never glorify your weaknesses.
- Never visit someone only to pass the time.
- Obtain things in order to share them.
- If you are meditating and a devil appears, make the devil meditate too.
Here are a few of my favorites that I think will help filmmakers especially.
Never define yourself by what you possess.
How many times have you had gear envy? You look at your buddy’s production and it looks so much more professional and “legit” — lights are everywhere, crew is everywhere — their craft services table isn’t just a pizza box opened on the hood of someone’s car. It’s easy to use gear and budgets as a ruler to measure the validity of your own project, as well as others’ projects, but we all have to remember: gear doesn’t make movies, filmmakers do.
Stop defining yourself.
To put it simply, the act of defining yourself means giving yourself a classification and putting yourself in a box. Boxes kill creativity. (The Dogme 95 filmmakers would disagree big time.) From my own experience I’ve found that defining yourself makes it that much harder to grow as an artist, because all you’re seeing is what you have contained inside of this rigid box.
If you are hesitating between doing and not doing, take the risk of doing.
If you want to make a film, do it. Whatever it takes.
People are superficial. They're going to judge your book by its cover.
Source: El Malpensante
Brevísimo manual para jóvenes editores
Mucho muy lejos me hallo de poder contar experiencias como las de mi admirado Maxwell Perkins, pero ni siquiera ese verdadero Maxwell Smart se refirió nunca a su cuidadosa labor de zapa; lo que se sabe es por su correspondencia privada, hecha pública después de su muerte. El trabajo conjunto con un autor –el corte, pulido, escarmenado y musicalización de un original, la paternidad de las ideas, la organización de un conocimiento para transmitirlo por escrito– es de una intensidad y una intimidad tales que, como los secretos de familia, se resiente al ser expuesto a la luz del día. A la espera de la demencia senil que me hará contar lo que no debo y enseñar lo que no sé, entonces, vayan apenas unos consejos de buena fe para quien se inicia en este oficio de corte y confección invisible.
Cuando en la primavera de 2011 Luis Enrique Pérez Oramas pasó por Buenos Aires tenía entre manos el diseño de la Trigésima Bienal de San Pablo, empresa que concretó al año siguiente en lo que fue una de las ediciones más elaboradas de las últimas décadas…