My work on the project focused on developing the graphic language that supports the documentary’s narrative structure. During early development I contributed to the visual direction through mood boards, storyboards, exploratory reels, and motion design tests that helped define the tone and graphic system used throughout the film.

I also handled a range of visual effects and motion graphics work, including compositing, keying, tracking, and matte painting. These elements were used to integrate archival material, photography, and graphic components into a cohesive visual environment that supports the storytelling.

In addition to the VFX work, I designed and animated several graphic systems used across the documentary. This included title cards for dates, names, locations, and chapter transitions, as well as a set of animated triptych layouts used to present imagery and archival content. I also created a page turn visual motif that appears throughout the film, reinforcing the editorial and literary themes connected to Talley’s life and work.

Together these elements form a flexible visual framework that supports the documentary while allowing the story, voice, and cultural presence of André Leon Talley to remain at the center.

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Journaling is an ongoing personal project where each day becomes a short video diary entry. Instead of traditional writing, the diary takes the form of surreal self-portraits, sculptural busts that resemble fragments of the self. These portraits become the narrator of the day. Each entry begins as a written reflection: a small observation, a memory, a thought about the day. That text becomes the voice of the portrait.

Using generative tools, the process unfolds across several stages:

First, I design the portrait using Midjourney, exploring surreal interpretations of the human head and bust as containers of thought, memory, and mood. The selected portrait is then animated with HeyGen, where the bust recites the diary entry, transforming a static image into a speaking presence. The narration itself is also generated through AI voice synthesis, creating a strange but intimate effect: the portrait becomes both author and narrator of the daily reflection.

Finally, the pieces are assembled in Adobe Premiere, where the visual rhythm, sound, and pacing shape the final diary entry. The result is a hybrid between personal journaling, experimental portraiture, and AI-assisted filmmaking, a daily practice that explores how technology can mediate memory, identity, and storytelling.

Each entry is small. But over time, they accumulate into a living archive of thoughts, images, and days.

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LUX is an ongoing generative film cycle inspired by the music, symbolism, and emotional architecture of Rosalía’s album LUX. Created using a hybrid workflow of AI image generation, AI video synthesis, and traditional film editing, each piece explores the tension between the sacred and the synthetic, the corporeal and the algorithmic, devotion and distortion. Rather than illustration or adaptation, LUX functions as a cinematic response, a visual meditation on sound, rhythm, memory, and ritual translated through machine vision.

Conceptual Approach

These films are not narratives in the traditional sense. They operate as visual poems: fragments of gesture, texture, and movement that echo the emotional states of the music. Flamenco, religious iconography, industrial minimalism, and surrealist collage coexist inside environments that feel simultaneously ancient and computational. AI is treated not as a shortcut, but as a performer, a collaborator capable of hallucination, failure, and beauty.

Technical Process

Each film is built using a custom pipeline that blends:

• Weavy.ai for orchestration, sequencing, and managing the generative workflow.

• Midjourney for conceptual imagery and visual world-building.

• Kling for AI-driven motion, transformation, and temporal distortion.

• Adobe Premiere for editorial rhythm, pacing, and final cinematic assembly.

This process allows for precise control over mood and symbolism while preserving the unpredictability that makes generative systems expressive.

Status

LUX is an ongoing series. New films will continue to expand this universe, responding to additional tracks and evolving alongside advances in generative tools.

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My role focused on compositing and preparing the athlete shots that appear throughout the sequence. A key requirement of the broadcast workflow was the ability to update the opening daily as new competitions and standout moments emerged across the Games. This meant integrating new athlete footage and disciplines quickly while maintaining visual continuity with the established design system.

To support this rapid turnaround pipeline, we built an AI assisted compositing workflow inside Adobe After Effects using the plugins Mask Prompter 3 and Lockdown 3. These tools allowed for faster rotoscoping, surface tracking, and precise compositing of athletes into the evolving sequence. The system made it possible to adapt the opening throughout the Games, ensuring that the title reflected the latest Olympic highlights and performances in near real time.

This production approach balanced cinematic design with broadcast practicality. The result was a dynamic opening that evolved throughout the Paris Games while preserving the visual identity developed by Imaginary Forces.

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Text prompts & look exploration

Characters development: “bruja mayor”, zombie & “bruja joven”

Spaces: the house, the forest and the beach

The movie poster, and 5 options

The movie title, and credits

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Raw footage from NBC Olympics

Usain Bolt, 100-Meter Race from the 2008 Olympics In Beijing.

Fred Kerley, 100-Meter Race from the 2023 Diamond League in Dubai.

Edited video for Wonder Dynamics

Masked Video of Usain Bolt’s 100-Meter Race, Isolated Subject for AI Analysis

Masked Video of Fred Kerley’s 100-Meter Race, Isolated Subject for AI Analysis

Wonder Dynamics Replacement videos

Usain Bolt’s Bot replacement (Wonder Dynamics) video 01

Fred Kerley’s Bot replacement (Wonder Dynamics) video 01

Usain Bolt’s Bot replacement (Wonder Dynamics) video 02

Fred Kerley’s Bot replacement (Wonder Dynamics) video 02

Cinema 4D skeletons and track

Bolt & Kerley’s race C4D skeletons • Main Camera

Bolt & Kerley’s race C4D skeletons • Top Camera

Bolt & Kerley’s race C4D skeletons • Medium Close-up Camera

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