Source: 3 Ways to Stay Ahead of the Design Curve From the Founder of Barcelona’s Creative Conference OFFF Eye on Design | Eye on Design
The founder and director of Barcelona’s OFFF festival, Hector Ayuso, first dreamt up the idea of a conference dedicated to exploring the world of online and offline design on a lazy Sunday afternoon in 2000. He was playing around with Flash on his computer, completely fascinated by the program’s possibilities when he realized he wanted to create a space where people could share their work and talk about how new platforms and programs like Flash were shaping and changing the industry.
That was over 15 years ago. Since then, OFFF has put numerous high-profile speakers onstage, including Paula Scher, Rick Poynor, Erik Spiekermann, and Rob Chiu. After hearing from such an eclectic range of minds over the years, Ayuso finds it easy to chart the industries’ changes and soak up words of wisdom.
New type foundry TPTQ Arabic is dedicated to developing expressive, but authentic, Arabic typefaces.
Typeface design has a western-normativity problem: for years, most Arabic typefaces have been designed by Latin-language typographers. But Arabic is built differently than Latin—its letters can have different contextual shapes, they always connect, and they eschew upper and lowercase letters—which means applying western ideas about type design is asking the script to conform to an unnatural set of standards.
“In the last 60 years Arabic has gone through many changes, and not really positive ones,”says Peter Bil’ak, founder of Dutch type foundry Typotheque. “It’s been subjected to western printing techniques, which cannot accommodate the number of glyphs [in Arabic].” The resulting product is “Simplified Arabic,” a legible but anemic version of the calligraphic script that Bil’ak calls “obviously not great.”
From the books and movies that inspired Guillermo del Toro, to his must travel guide (with all the spooky intel), here is what GDT is feeling.
Right now, Guillermo del Toro is everywhere. The group art show dedicated to his work may have recently ended, but with the October 16 premiere of his latest movie Crimson Peak, del Toro has kept busy with a press tour. Today, Bergdorf Goodman also unveiled the Fifth Avenue window they dedicated to the new gothic romance.
All this extra attention on del Toro couldn’t be better timed. We’ve decided to declare October the month of del Toro, Oct-Toro-ber if you will. After all, it’s pretty perfect that his birthday falls in the same month as Halloween, considering he’s the creator of some of the spookiest creatures in cinema.
In honor of his 51st, we are looking at the books, movies, and other influences that have impacted his life and art, according to his Twitter. Below are 13 things that have shaped del Toro.
Crimson Peak opens in theaters on October 16, 2015.
SiegelGale Brian Rafferty explains why the best logos are the simplest ones, and why new logo backlash is something every brand should expect.
What makes a logo successful? Ask a dozen different designers, and you’ll get a dozen different answers. But how do you quantify a logo’s excellence, or lack thereof? If you’re Siegel+Gale, you organize a study of 3,000 respondents in the U.S. and U.K. to try to put some actual stats on the problem.
We spoke with Siegel+Gale’s global director of research insights, Brian Rafferty, to find out what makes logos memorable, and why logo backlash is often not as big a deal as it first appears.
Programs like After Effects can be very complex, but there are lots of useful shortcuts and tools that can make your life easier and help you work faster.
Early film cameras used hand-cranks to advance the celluloid in the camera, and even though there were plenty of good operators, there was still a unique look to the resulting footage. There would usually be slight variations in the frame rate, which would give you faster/slower motion as well as changes in the exposure. You also get a lesser version of this effect at the beginning and end of a take with film.
Alejandro Jodorowsky isn’t just a world-class art-house filmmaker, he’s also a world-class spiritual guru. In his book The Spiritual Journey of Alejandro Jodorosky, the Chilean director details his experiences while on a spiritual journey that lead him to “discard his emotional armor,” namely one encounter with Reyna d’Assia, daughter of famed spiritual healer George Ivanovich Gurdjieff, in which she imparted her father’s many axioms about life.
This list, though clearly not directed at filmmakers specifically, certainly will reverberate with the artist in us all, as it did with Jodorowsky. Looking at each one through the eyes of a creator, you’ll start to learn a lot about yourself not only as a human, but as an artist.
- Ground your attention on yourself. Be conscious at every moment of what you are thinking, sensing, feeling, desiring, and doing.
- Always finish what you have begun.
- Whatever you are doing, do it as well as possible.
- Do not become attached to anything that can destroy you in the course of time.
- Develop your generosity ‒ but secretly.
- Treat everyone as if he or she was a close relative.
- Organize what you have disorganized.
- Learn to receive and give thanks for every gift.
- Stop defining yourself.
- Do not lie or steal, for you lie to yourself and steal from yourself.
- Help your neighbor, but do not make him dependent.
- Do not encourage others to imitate you.
- Make work plans and accomplish them.
- Do not take up too much space.
- Make no useless movements or sounds.
- If you lack faith, pretend to have it.
- Do not allow yourself to be impressed by strong personalities.
- Do not regard anyone or anything as your possession.
- Share fairly.
- Do not seduce.
- Sleep and eat only as much as necessary.
- Do not speak of your personal problems.
- Do not express judgment or criticism when you are ignorant of most of the factors involved.
- Do not establish useless friendships.
- Do not follow fashions.
- Do not sell yourself.
- Respect contracts you have signed.
- Be on time.
- Never envy the luck or success of anyone.
- Say no more than necessary.
- Do not think of the profits your work will engender.
- Never threaten anyone.
- Keep your promises.
- In any discussion, put yourself in the other person’s place.
- Admit that someone else may be superior to you.
- Do not eliminate, but transmute.
- Conquer your fears, for each of them represents a camouflaged desire.
- Help others to help themselves.
- Conquer your aversions and come closer to those who inspire rejection in you.
- Do not react to what others say about you, whether praise or blame.
- Transform your pride into dignity.
- Transform your anger into creativity.
- Transform your greed into respect for beauty.
- Transform your envy into admiration for the values of the other.
- Transform your hate into charity.
- Neither praise nor insult yourself.
- Regard what does not belong to you as if it did belong to you.
- Do not complain.
- Develop your imagination.
- Never give orders to gain the satisfaction of being obeyed.
- Pay for services performed for you.
- Do not proselytize your work or ideas.
- Do not try to make others feel for you emotions such as pity, admiration, sympathy, or complicity.
- Do not try to distinguish yourself by your appearance.
- Never contradict; instead, be silent.
- Do not contract debts; acquire and pay immediately.
- If you offend someone, ask his or her pardon; if you have offended a person publicly, apologize publicly.
- When you realize you have said something that is mistaken, do not persist in error through pride; instead, immediately retract it.
- Never defend your old ideas simply because you are the one who expressed them.
- Do not keep useless objects.
- Do not adorn yourself with exotic ideas.
- Do not have your photograph taken with famous people.
- Justify yourself to no one, and keep your own counsel.
- Never define yourself by what you possess.
- Never speak of yourself without considering that you might change.
- Accept that nothing belongs to you.
- When someone asks your opinion about something or someone, speak only of his or her qualities.
- When you become ill, regard your illness as your teacher, not as something to be hated.
- Look directly, and do not hide yourself.
- Do not forget your dead, but accord them a limited place and do not allow them to invade your life.
- Wherever you live, always find a space that you devote to the sacred.
- When you perform a service, make your effort inconspicuous.
- If you decide to work to help others, do it with pleasure.
- If you are hesitating between doing and not doing, take the risk of doing.
- Do not try to be everything to your spouse; accept that there are things that you cannot give him or her but which others can.
- When someone is speaking to an interested audience, do not contradict that person and steal his or her audience.
- Live on money you have earned.
- Never brag about amorous adventures.
- Never glorify your weaknesses.
- Never visit someone only to pass the time.
- Obtain things in order to share them.
- If you are meditating and a devil appears, make the devil meditate too.
Here are a few of my favorites that I think will help filmmakers especially.
Never define yourself by what you possess.
How many times have you had gear envy? You look at your buddy’s production and it looks so much more professional and “legit” — lights are everywhere, crew is everywhere — their craft services table isn’t just a pizza box opened on the hood of someone’s car. It’s easy to use gear and budgets as a ruler to measure the validity of your own project, as well as others’ projects, but we all have to remember: gear doesn’t make movies, filmmakers do.
Stop defining yourself.
To put it simply, the act of defining yourself means giving yourself a classification and putting yourself in a box. Boxes kill creativity. (The Dogme 95 filmmakers would disagree big time.) From my own experience I’ve found that defining yourself makes it that much harder to grow as an artist, because all you’re seeing is what you have contained inside of this rigid box.
If you are hesitating between doing and not doing, take the risk of doing.
If you want to make a film, do it. Whatever it takes.